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Uncommon Creative Studio
Leo Burnett
BBH
Saatchi&Saatchi
VCCP Group LLP
VML UK
Mother
Wieden+Kennedy
The & Partners London Limited
Havas London
1st
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Biscuit Filmworks
Riff Raff Films
Knucklehead
Anonymous Content
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Electric Theatre Collective
Time Based Arts
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Cabin Edit
Final Cut
Marsheen
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750MPH
String and Tins
Factory Studios
1st
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3rd
Burger King - Bundles of Joy
Agency - BBH
Prod Co - Magna
Nils Leonard
Founder
Uncommon Creative Studio
Most Creative Agency 2025
1st
2nd
3rd
4th
5th
6th
7th
8th
9th
10th
Uncommon Creative Studio
Leo Burnett
BBH
Saatchi&Saatchi
VCCP Group LLP
VML UK
Mother
Wieden+Kennedy
The & Partners London Limited
Havas London
Most Creative Production Company 2025
1st
2nd
3rd
4th
Biscuit Filmworks
Riff Raff Films
Knucklehead
Anonymous Content
Most Creative Post Production Company 2025
1st
2nd
Electric Theatre Collective
Time Based Arts
Most Creative Editing House 2025
1st
2nd
3rd
Cabin Edit
Final Cut
Marsheen
Most Creative Audio Production Company 2025
1st
2nd
3rd
750MPH
String and Tins
Factory Studios
Creative Circle Gold Of Golds 2025
Is:
Burger King - Bundles of Joy
Agency - BBH
Prod Co - Magna
2025 Presidents Award
Nils Leonard
Founder
Uncommon Creative Studio
A$AP Rocky - Gangsta
Music Video - Editing : SINGLE
Final Cut
Division
In this mashup of a gangsta rap music vid and a kid's wild imagination, mini versions of A$AP Rocky and Anderson Paak cruise a world where traditional tropes of the genre are reimagined through the lens of youthful innocence in Francois Rousselet's video for Free Nationals.
SILVER
Lisa - New Woman
Music Video - Editing : SINGLE
Final Cut
Freenjoy
The music video for "New Woman," directed by Dave Meyers, features K-Pop artist LISA and Latin artist Rosal�a. The video consists of a series of visually striking and fashion-focused vignettes, showcasing the individual styles of both artists and their collaboration.
The production incorporates a range of imaginative visuals, with cinematography by Scott Cunningham and editing by Amanda James. The fast-paced editing creates a dynamic viewing experience, with rapid transitions between elaborate set-ups. The production team, including producer Nathan Scherrer and a glam crew, crafted a meticulously composed series of scenes that highlight the artists and complement their musical performance.
GOLD
Wrong Side of Town
Music Video - Use of Low Budget : SINGLE
Knucklehead
Joe Armon-Jones & Hak Baker
Directors Broken Antenna used their trade-mark mixed media approach to incorporate footage of politically-charged events � from the NHS workers striking for fair pay to the people in the housing meetings trying to figure out how best to spend the budget. Their criteria for what should be included was that every person featured in the video is working towards changing and influencing the city. The video was also edited by Broken Antenna, with a grade by long-time collaborator Jack McGinity at Cheat. The entire production budget for the video was �500.
GOLD
Zigidi
Music Video - Story/Idea : SINGLE
Knucklehead
BIJI
Thoughtfully blending Kurdish and Western Asian music traditions with contemporary splashes of Hip Hop, Afrobeat, Latin, and Dance music, their self-titled new album,�BIJI,�aims to reframe the conversation about Kurdish culture and art. Zigidi,�translating to �Millions�, shows the range and intensity of the album as its focal track. "My parents and their whole generation gave up their lives for the freedom I have today," reflects Nazari, referring to countless wars and conflicts in the region as well as a ban on speaking, recording, and performing songs in Kurdish that lasted years.
SILVER
Wrong Side of Town
Music Video - Direction : SINGLE (moved)
Knucklehead
Joe Armon-Jones & Hak Baker
Directors Broken Antenna used their trade-mark mixed media approach to incorporate footage of politically-charged events � from the NHS workers striking for fair pay to the people in the housing meetings trying to figure out how best to spend the budget. Their criteria for what should be included was that every person featured in the video is working towards changing and influencing the city. The video was also edited by Broken Antenna, with a grade by long-time collaborator Jack McGinity at Cheat. The entire production budget for the video was �500.
BRONZE
Zigidi
Music Video - Promo Film : SINGLE (moved)
Knucklehead
BIJI
Thoughtfully blending Kurdish and Western Asian music traditions with contemporary splashes of Hip Hop, Afrobeat, Latin, and Dance music, their self-titled new album,�BIJI,�aims to reframe the conversation about Kurdish culture and art. Zigidi,�translating to �Millions�, shows the range and intensity of the album as its focal track. "My parents and their whole generation gave up their lives for the freedom I have today," reflects Nazari, referring to countless wars and conflicts in the region as well as a ban on speaking, recording, and performing songs in Kurdish that lasted years.
GOLD
LOST!
Music Video - Promo Film : SINGLE
Pulse Films
RM
Aube Perrie directed RM�s music video �LOST!� as a mind-bending exploration into the K-pop star�s psyche. Adrift inside the maze of his own brain, full of hypnotic hallways and video game-style environments, and accompanied by his emotions: Goofy, Anxious, Confident and Jaded.
SILVER
Madonna: Live in Rio
Music Video - Concert/Live Film : SINGLE
Ridley Scott Associates
Madonna
In May, Madonna performed a record-breaking free concert for over 1.6million people on the Copacabana Beach in Rio. Filmed live by long-time creative collaborators Jonas �kerlund and Black Dog Films, the concert was live streamed and broadcast across South America with Brazil�s biggest broadcaster, Globo. It was an enormous live production, utilizing over 30 DOPs, two drones, and a helicopter to capture the biggest concert of all time and the most electrifying global live event of the year.
Viewing link - https://blackdogfilms.slateapp.com/projects/1838/visit?file=311653
GOLD
People Are Good
Music Video - Story/Idea : SINGLE (moved)
Riff Raff Films
Depeche Mode
Rich Hall wanted to make an idea that changes multiple times during the video, as if unravelling with the song and our understanding of it. The song gave him feelings of the fragility of human relationships, how easy we forget, how easily we�re distracted, and therefore came up with the idea to somehow immortalising those everyday, mundane human interactions, and heighten them to extent that they feel like art.
BRONZE
Beetlebugs
Music Video - Story/Idea : SINGLE
Riff Raff Films
Nick Leng
Sondock directs a mysterious music video for Nick Leng's new song "BeetleBugs." The story follows a young beetle who seeks the help of Nick himself, playing a private investigator for creatures, to find her missing partner Blu Bug. As they delve into the investigation, they exhaust all leads, navigating a world of shadows and secrets. The tension builds with each clue, leading them to a shocking revelation.
BRONZE
People Are Good
Music Video - Cinematography : SINGLE
Riff Raff Films
Depeche Mode
Rich Hall wanted to make an idea that changes multiple times during the video, as if unravelling with the song and our understanding of it. The song gave him feelings of the fragility of human relationships, how easy we forget, how easily we�re distracted, and therefore came up with the idea to somehow immortalising those everyday, mundane human interactions, and heighten them to extent that they feel like art.
BRONZE
Hocus Pocus
Music Video - Promo Film : SINGLE
Stink
Unknown T, ft. Loyle Carner
Directed by Felix Brady for the rappers Unknown T and Loyle Carner, the "Hocus Pocus" promo transcends the ordinary, presenting a fusion of performance and visual storytelling. Felix�s creative vision intertwines surrealist visuals, clever VFX and bespoke animation, drawing inspiration from past and present popular culture.�
SILVER
Places to be
Music Video - LIVE MUSIC PROMO (moved)
Stink
Anderson .Paak, Chika, and Fred Again
LOOSE directs Fred Again..'s encounter with Anderson .Paak for Places To Be.
This intimate and intense jam session was shot in one take in sun-soaked Eagle Rock, Los Angeles, and there is a delightful sense of capturing magic in a bottle, as both artists do their stuff.
With the pair enthusiastically jumping between instruments - including two drumkits - it's a brilliant job of camerawork throughout. And then the natural magic in the room is elevated further when its revealed that Anderson's
SILVER
Eusexua
Music Video - Editing : SINGLE
Stitch Editing
FKA Twigs
In a clinical office, Twigs is burdened with mundane tasks until a call awakens her and the other workers, locking them into a surreal choreography dictated by glitched sounds and lyrics. Lights flicker as their hair and clothes shed, the office opens up into a space between space. Bending the laws of physics as their bodies return to the natural world, and Twigs transcends into an ethereal being, otherworldly and dreamlike. A fluid editing style, blends the emotional rawness of Twigs� performance with the strangeness of the worlds she inhabits.
SILVER
Ecstasy Homosexuality
Music Video - Editing : SINGLE
Stitch Editing
The Irrepressibles
Lines between reality and fantasy blur through a series of erotic, sensual, provocative images crafted by Ben Galster in his visceral celebration of homosexuality and intimacy Ecstasy Homosexuality for The Irrepressibles. The connections between the central group of queer men are as fluid as they are intimate and erotic. The hard fought for freedoms within the gay community are punctuated with vintage footage from the foundational LGBT flashpoint of the Stonewall Riots and contemporary artworks.
BRONZE
With Balance
Music Video - Promo Film : SINGLE
Wieden+Kennedy
Metronomy
In 2024, English electronic band Metronomy enlisted us to create a music video for "With Balance," the second single from Posse EP Volume 2.
The video follows a young woman on a swing, lost in thought after a tough phone call. As she swings, memories flash behind her, leading to Joshua Idehen�s verse. Shot on the world�s first 360� LED stage in Copenhagen, the film blends virtual production and practical effects to create seamless motion. Inspired by the Portuguese word balan�o (swing), the video visually reflects the song�s hypnotic, back-and-forth rhythm.
BRONZE
Most Promising Editor
Adam Buckmaster
Shift Post
Adam Buckmaster was put on the roster as an editor at Shift in 2024 after working his way up as an assistant.
The three pieces entered were all cut last year.
Paddy Power & eBay were commercial projects.
Bangmouth was a web series of three episodes, this being the first.
FINALIST
Most Promising Editor
Amanda Marie-Rose
Freelance
Amanda entered the editing world as a Fine Art graduate from UAL, with little knowledge of the film industry, let alone what an editing career involved. She initially ventured into tech but longed for a role that blended creativity with technical skill. In 2023, she transitioned from assisting to being exclusively represented by The Assembly Rooms, where she honed her craft and developed into a fully fledged film editor. After nearly two years, Amanda took the leap into freelancing, eager to experience the wider world of film editing.
WINNER
Most Promising Creative Individual
Anna Twoulip
Sparks
I’m Anna Twoulip, and I love challenging my own perspective. I’ve explored graphic design through fine art, print, advertising, and events—balancing both corporate and artistic spaces. My choice? Both. Events let me shape brands and spaces, while my personal work is where I speak in my own voice. Why? Because design should make people feel—curious, connected, and that little spark of wonder.
I get goosebumps having the chance to share my work with someone at the top of their career. I hope you’ll see the perspectives I bring and the positive change I strive to encourage.
FINALIST
Most Promising Creative Team
Armna Khan & Eszter Boldov
The & Partners London Limited
We are a Hungarian-Pakistani creative duo at T&Pm London, driven by the power of creativity to move crowds. Eszter found her passion in advertising after witnessing NGOs in Hungary challenge a dictatorial regime with irony and courage. Armna was inspired by a campaign in Pakistan that led to the ban on child marriage. In 2.5 years, we’ve worked on campaigns for Melanoma UK, M&M’S, Lexus, British Gas, Tango, Big Yellow, and RNIB, earning recognition from Campaign Media Awards, Lovie Awards, Young Arrows, Digiday, and Campaign Ad of the Day. Our journey of creating meaningful impact has just begun.
FINALIST
Most Promising Commercial Film Director
Bamba Kimball
Bamba Kimball
Bamba Kimball is a Director, Cinematographer, and third culture kid, raised in Southeast Asia and currently based in Los Angeles, CA. His passion for film began at age 9 when he made his first short film, sparking a journey that continues today. He now lives his dream job as a Director and Cinematographer, not always at the same time, striving to keep that childhood love for filmmaking alive.
FINALIST
Most Promising DOP/Cinematographer
Bamba Kimball
Bamba Kimball
Bamba Kimball is a Director, Cinematographer, and third culture kid, raised in Southeast Asia and currently based in Los Angeles, CA. His passion for film began at age 9 when he made his first short film, sparking a journey that continues today. He now lives his dream job as a Director and Cinematographer, not always at the same time, striving to keep that childhood love for filmmaking alive.
WINNER
Most Promising Creative Team
Bayleigh Way & Alyssa Yeoman
Saatchi & Saatchi London (as of March, will be at Accenture Song London)
Bayleigh and Alyssa are an award-winning creative team from Aotearoa New Zealand, internationally recognised at award shows such as D&AD, The One Show, MADSTARS, and Lumo Pixel Awards. They’re known for bold, conversation-starting ideas, like TAB’s cheeky NZ vs. Australia rivalry campaign and their work for the International Olympics Committee, where they used tattoo technology to reinvent a tradition for good. They’ve also created idents for iconic British brands Waitrose and The Great British Bake Off, cementing their partnership for years to come. Passionate about pushing boundaries, Bayleigh and Alyssa bring fresh perspectives to every campaign.
FINALIST
Most Promising Editor
Ben Cowan
The Quarry
Since joining The Quarry, Ben continues to build his repertoire with a mix of branded and promo work, having worked on projects for Oatly, Uber Eats, Barclaycard, Adidas, and much more.
In 2024, Ben's edit for John Glacier's 'Cows Come Home' led to a much coveted nomination for best editing newcomer at the UK Music Video Awards. As well as work nominated at 1.4 Awards, YDA and Aesthetica.
FINALIST
Most Promising Music Video Director
Billy King
CANADA
Regally named, Derbyshire-raised Cannes Lions winning director. Witty and unorthodox concepts bolstered by serious storytelling and craft. A clever creative who knows how to make things happen. Bold writing. Contemporary aesthetic. Timeless palette. A youthful spirit with a mature approach. Daring ideas, deftly executed.
FINALIST
Most Promising Creative Individual
Cameron Sutherland
Grey London
If there's a way to think it dumber, Cameron is that way. But do not fear, if you strip back the layers of dumb you'll find a nugget of logic that took got us to synth playing hamsters and pig farm musicals.
Cameron is an Iranian Scottish copy writer and art director at Grey London.
WINNER
Most Promising Raw Talent.
David Vu
Caviar
David Vu is a filmmaker, dancer, choreographer, creative director and videographer who has built a huge following on TikTok and Instagram, amounting over half a million followers with his dance videos and streetwear inspiration. Combining the art of dance with cinematic storytelling and fluid transitions, Vu is set to captivate audiences with a unique and immersive viewing experience. David signed to Caviar in 2024 after producing the hit music video for Camelphat ft Nadiah "Endlessly" and continues to collaborate with brands making work which sits across, he is set to blow up this year.
WINNER
Most Promising Photographer
Dora Paphides
Kode Media
BIO: Dora Paphides is a Director and Photographer from North London, known for her vibrant, abstract, and dynamic style that brings every frame to life. Since graduating from The BRIT School, she has worked with notable clients like JD Sports, Juicy Couture, and artists including The Last Dinner Party, Kate Nash, and Ella Eyre. Dora’s photography isn’t just about capturing moments—it’s about feeling them. Her work blends energy, texture, and colour to transform fashion and music into visually striking stories. By pushing creative boundaries, she turns every shoot into an exploration of artistry and emotion.
FINALIST
Most Promising Editor
Eden Read
The Assembly Rooms
Eden has fast-tracked to the main editors roster at The Assembly Roms since joining as an assistant a couple of years ago. Her work to date includes promos for Dylan, STONE, The Last Dinner party, and many more! Eden is also emerging in the commerical and content space, working with clients such as Right move, Wrigleys, and most recnetly Adidas.
FINALIST
Most Promising Colourist
Fraser Twitchett
OkayStudio
Fraser is an emerging talent in the world of colour grading, bringing a keen eye for detail and a passion for visual storytelling. With a solid foundation as a colour assistant at OkayStudio, he’s honed his skills on a wide range of music videos, content and commercials.
Now stepping into the role of Junior Colourist, Fraser combines his technical expertise with a fresh, artistic perspective, crafting compelling, visually striking narratives that elevate each project
FINALIST
Most Promising Music Video Director
Freddie Cattaneo
Rattling Stick
Freddie's work is bold, playful and embedded in subcultures. He enjoys subverting audience expectations, which often leads to moments of subtle humour. By investigating the commonplace moments of life, and giving them scale, he takes ordinary situations and makes them feel extraordinary.
In his teenage years, Freddie learnt his craft shooting short films and documentaries. While attending the Northern Film School, he then began to direct music promos for friends. This brought him to the attention of record labels, leading to an ongoing collaboration with the artist, Master Peace.
FINALIST
Most Promising Creative Team
Indi Morland and Caitlin Chakraborty
House 337
Indi and Caitlin have only been working for two years. But you’d never believe that on seeing their work, and the strategic thinking and craft behind it.
Their first ad featured Lily James on a Caribbean beach. I mean, WTF!? Rather than being overwhelmed, they handled it like pros.
Their love of comedy can be seen from the dead-pan hilarity of their ‘Blind Dates’ spot for CASS. And they do hard-hitting and impactful just as well - take a look at their recent Women's Aid work for proof.
Get used to their names – you’ll be hearing them a lot…
WINNER
Most Promising Photographer
Jamie Shipston- Mourn
Dust Bunnies Agency
Jamie Shipston- Mourn is a talent of the extremes. Prevalent in sports, cycling & climbing photography, he has a distinguished means of capturing movement. Always pushing power within his frame it is no surprise he was commissioned to shoot both the Olympians, Paralympians & English Football team for Adidas last year alone. However his skills transcend even sport, working with streetwear collectives, heritage brands and iconic designers.
WINNER
Most Promising Music Video Director
Jeremi Durand
Rogue
Jeremi Durand is an award winning film director & photographer. As a former designer specialising in design fiction; image culture, narratives and conceptual thinking are at the core of his skills.
Currently developing films - both short and feature - as well as photography work, Jeremi is a multidisciplinary visual artist with a unique stand point.
WINNER
Most Promising Commercial Film Director
Joe Howat
CANADA
A filmic mind and a modern eye come together in Joe’s films and photographs. His videos are equal parts story, substance and style. Inspired by cinema, every shot drives the story forward. Sophisticated yet fresh. Dynamic techniques, carefully considered. Tongue in cheek charm. Inventive and original. A name to watch.
FINALIST
Most Promising Commercial Film Director
Kelvin Jones
Prettybird Limited
Kelvin Jones is a self-taught filmmaker hailing from South London, whose passion for the creative arts has been a driving force in his life since a young age. Starting his career as a digital designer, Kelvin’s work in design and video-making has earned him collaborations with some of the biggest brands and artists in the world. Kelvin has an unwavering commitment to creating work that goes beyond expectations.
With a passion for pushing creative boundaries, Kelvin is set to continue making his mark on the industry and inspiring audiences for years to come.
FINALIST
Most Promising Music Video Director
LOOSE
Stink
As a director, LOOSE is on a mission to capture and elevate real stories through striking filmic language and a documentary-style sensibility. By harnessing her natural curiosity she has developed a culturally-attuned approach that delivers memorable stories with depth. LOOSE has collaborated with brands such as The Face, On, Instagram, BBC, Mixmag, Google, Sky and Apple. She is also Creative Director to double Grammy-Award winning DJ/Producer, Fred Again.. Previously a BBC Radio 1 Creative Producer and Strategist for one of the biggest record labels in the world, LOOSE has won a number of prestigious awards for her work.
FINALIST
Most Promising Agency Producer
Leah Wattley
Dark Horses
Leah is a rising superstar in the production world. In the past two years, she has approached a variety of diverse briefs with professionalism, ingenuity and creative flare. The attached examples include a small spread of highlights of her work she's led for us over the past two years, ranging from brand defining photography for Ascot, creation of bespoke Kimono's for the Nissan Formula E Racing Team, and an extensive solo production on the social elements of a large 360 campaign for Amazon Prime involving approximately 200 deliverables. The ultimate safe pair of hands that everyone wants to work with.
WINNER
Most Promising Commercial Film Director
Lochlainn McKenna
Locky
Lochlainn McKenna (A.K.A Locky) is a writer and director from Cork, Ireland. Like many, Locky started out in music videos - the highlight being his UKMVA nomination for his music video for Irish electronic artist Daithí. He has also worked with artists such as Westlife and Keane. His short film Two For The Road based on his weekends travelling around Ireland with his vagabond father was long-listed for the Oscars and was nominated for an IFTA (Irish BAFTA). He's obsessed with people and loves to create truly touching narrative work.
WINNER
Most Promising Commercial Film Director
Maria Lax
Art Practice
Maria Lax is a Finnish photographer and director based in London. Her projects explore themes of identity, belief and modern folklore and have been widely exhibited internationally. She has created commercial work for clients including Apple, Channel 4, Vogue Italia, Virgin Records, British Telecom and Samsung.
IG: https://www.instagram.com/maria_lax_?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==
FINALIST
Most Promising Editor
Matthew Gabzdyl
Final Cut
Matt is a London-based editor represented by Final Cut, known for his dedication and emerging talent. After studying Film and TV at Bournemouth University, he began his career running for top production companies before finding his home at Final Cut, where he continues to refine his craft. Mentored by senior editors at Final Cut, Matt has built a diverse portfolio of short films, music videos, and commercials, earning a Young Arrows nomination in 2022. Recent collaborations include Barnardo’s, BoyleSports, Yankee Candle, and M.C. Overalls. With growing momentum, Matt is a rising talent to watch in the industry.
FINALIST
Most Promising Sound Designer/Audio Mixer
Michael Haines
Factory Studios
Michael joined Factory in 2015 after completing his BSc and MSc in Sound Engineering. Starting as a runner, he worked his way up to Sound Designer by 2023. A versatile Sound Engineer and Designer, Michael has contributed to Sound Design, SFX Editing, Dialogue Editing, and Music Composition across advertising, feature films, short films, and TV. He’s particularly proud of his work on Raging Grace and Femme, with Raging Grace winning the Narrative Grand Jury Prize and Best Debut Feature at the 2023 South by Southwest Film Festival. Michael is passionate about creating high-quality sound design for diverse audio-post projects.
WINNER
Most Promising Commercial Film Director
Miranda May
Darling Films
Miranda is a visionary filmmaker with a flair for crafting vibrant, stylish narratives across the fashion, editorial, beauty, sport and luxury markets.
Her work is sophisticated and drenched in colour, weaving together culture, elegance, and bold artistry. Whether she’s directing commercials, music videos, or narrative films, Miranda’s projects span the globe, often featuring striking locations and meticulously designed sets that transport audiences.
Her signature style is a seamless blend of refined colour palettes, exquisite art direction, and fluid, intricate camera movements. Miranda has a talent for integrating unexpected editorial and fashion-inspired lenses, creating visuals that are both modern and timeless.
FINALIST
Most Promising Creative Team
Muskaan Razdan & Oscar Frost
Havas London
At uni in Leeds, Muskaan got bored writing her dissertation on sex workers in Bollywood and put together a completely self-taught ad portfolio. Oscar put his dreams of rock stardom on hold, hung up his job in a London call centre and headed to SCA. Teamed up whilst on an agency placement, they haven’t looked back. Their harrowing work for Refugease, asking commuters to donate the cost of their journey to help refugees avoid a more deadly one, was recognised as Campaign’s top 10 campaigns of the year. We can't wait to see what they do next.
WINNER
Most Promising Colourist
Nielsan Bohl
Selected Works
Nielsan brings a unique touch to narrative work, editorial, music videos, and commercials. Combining artistic flair with technical experience from working on set, he strives to craft a filmic and cinematic palette for every project. He particularly loves working on traditional celluloid, but also loves to geek out over new formats. He is among a new wave of emerging colourists, collaborating with exciting new directors and DOPs. His work has been recognised with nominations at the UKMVAs and Kinsale.
WINNER
Most Promising Colourist
Oliver Banks Thompson
1920
Lays, directed by Hernan Corera, has a warm, vintage look with soft yellows and blues, highlighting items on the beach, including the product.
Army was part of a four-film campaign, each with a unique style. This one was graded with muted, dark tones to evoke a warzone feel, while keeping a hint of positivity through the netballers' fun. Directed by Jesse Lewis-Reece.
Kiasmos was black and white, dark, and gritty. Shot on digital with the aim to make it look like film. Directed by Greg Barnes, this was the perfect direction for the promo.
FINALIST
Most Promising Creative Writer
Osagie Samuel
The & Partners London Limited
Osagie Samuel created the double grand prix winning “Jose Mourinho’s Own Goal No-No’s” for Snickers, writing dozens of comedy scripts to AI-train a Jose chatbot that delivered infinite hilarious personalised putdowns in response to the audience’s embarrassing mistakes.
He wrote the scripts and lyrics for CALM’s social mini-series, “This Is Not A Drill”, transforming Drill music into a powerful call to action for young people to start having mental health conversations.
Turning post-Christmas blues into post-Christmas bangers, he wrote the track and campaign for “Twixmas Time”, featuring Grime superstar D Double E and influencer, Nella Rose for Twix.
WINNER
Most Promising Editor
Serena Rossi
Nomad Edit
Serena Rossi, offline editor at Nomad splits her time between cutting ads for big brands, social content, music videos, and short films. Serena’s worked on some awesome campaigns for clients like Adidas, Puma, Gatorade, Very and Virgin Media and loves the buzz of crafting stories through her edits. Before finding her love for editing, Serena originally trained as a classical and contemporary dancer, which to this day influences her approach to editing with focus on breath, rhythm and movement. Serena loves collaborating with Director’s and creatives being able to showcase her keen eye for detail and storytelling.
FINALIST
Most Promising Graphic Designer
Shivani Panchal
Currently working at Saatchi & Saatchi
I’ve worked across design and motion for top creative companies, from Riff Raff Films, where I created assets for music videos, to It’s Nice That, designing for editorial and brand collaborations. Now at Saatchi & Saatchi, I work on commercial projects that blend storytelling and strategy. More recently, my work has been featured at the DEMO Festival, showcasing my passion for all things motion. I am always eager to learn, push creative boundaries, and craft engaging content that brings ideas to life in fresh and exciting ways.
FINALIST
Most Promising Creative Team
Simran Sidhu and Katy David
BBH
Sim and Katy are a talented, driven team who made an immediate impact. They were the team that cracked the whole relaunch of Tesco mobile. A brief that required a degree of maturity to be able to pull off. They bring enthusiasm, ambition, and positive energy to every brief, making them invaluable assets to BBH's creative department. Big things are ahead for this dynamic duo.
FINALIST
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