|
|
|
|
|
|||
|
|||
|
|
|
| TV AND CINEMA | |
|
| Best TV Commercial – sponsored by Coy Communications Entrant: Lowe London Client: Nokia Product: N95 Title: The Riddle Writer: Oliver Green Art Director: Greg Milbourne Executive Creative Director: Ed Morris Agency Producer: Selina Dey Production Company: MJZ London Director: Rupert Sanders Editor: Hank Corwin Lighting Cameraman: Chris Soos Production Company Producer: Kate Leahy Sound Design: Aaron Reynolds @ Wave Post Production: The Mill Film Editing Company: Lost Planet LA Executive Producer: Debbie Turner Copywriter: Oliver Green |
Best TV Commercial – sponsored by Coy Communications Entrant: Fallon London Client: Sony Product: Bravia Title: Play-doh Creative: Juan Cabral Creative Director: Juan Cabral Executive Creative Director: Richard Flintham Agency: Fallon London Agency Producer: Nicky Barnes Production Company: Gorgeous Enterprises Director: Frank Budgen Editor: Ted Guard @ The Quarry Cinematographer: Frank Budgen Production Company Producer: Rupert Smythe Sound Design: Parv Thind @ Wave Animation Director: Darren Walsh @ Passion Pictures |
|
| Best TV Commercial – sponsored by Coy Communications Entrant: Beattie McGuinness Bungay Client: Coors Brewers Product: Carling Title: Out Writer: Pat Burns Art Director: Gavin McGrath Creative Directors: Trevor Beattie/Bil Bungay Agency: Beattie McGuinness Bungay Agency Producer: Jane Oak Production Company: Sonny London Director: Fredrik Bond Editors: Tim Thornton-Allen/Patric Ryan Lighting Cameraman: Daniel Jesse Hall Production Company Producers: Helen Kenny/Alicia Richards Sound Design: Andy Humphreys @ 750mph Account Director: Clare Campbell Film Art Director: Ondrej Nekvsasil Production Facility Company: The Sofa, Czech Republic Sofa Producer: Fady Salameh Post Production Producer: Scott Griffin @ MPC CG Supervisor: Duncan McWilliam 2D Supervisor: Bill McNamara |
Best TV Commercial – sponsored by Coy Communications Entrant: Abbott Mead Vickers BBDO Client: Diageo Product: Draught Guinness Title: Tipping Point Creatives: Angus McAdam/Paul Gordon Creative Director: Paul Brazier Agency: Abbott Mead Vickers BBDO Agency Producer: Carol Powell Production Company: MJZ Productions Director: Nicolai Fugslig Production Company Producer: Suza Horvat Editor: Rick Russell Lighting Cameraman: Ellen Kuras |
|
| Best Cinema Commercial Entrant: Nitro London Client: Nike Product: Just Do It Title: Ballerina Creative: Paul Shearer Creative Director: Paul Shearer Agency: Nitro London Agency Producer: Amy Sherwin Production Company: Great Guns Director: Paul Shearer Editor: Leo @ Cut & Run Lighting Cameraman: Ben Seresin Production Company Producer: Laura Gregory |
Best Cinema Commercial Entrant: WCRS Client: B Sky B Product: Sky Title: Billboards Creatives: Tom Spicer/Kit Dayaram Creative Directors: Yan Elliot/Luke Williamson Agency: WCRS Agency Producer: Natalie Parish Production Company: Home Corps Director: Sara Dunlop Editor: Nik Hindson Lighting Cameraman: Antonio Palladino Production Company Producer: Stuart Bentham Sound Design: MPC |
|
| Best Idea in 20 Seconds Entrant: RKCR/Y&R Client: Times Media Product: The Game Title: Toilet Creatives: Dan Hubert/Amber Casey Creative Directors: Mike Boles/Jerry Hollens Agency: RKCR/Y&R Agency Producer: Claudio Gorini Production Company: HSI Director: J J Keith Editor: Dan Robinson @ Cut & Run Production Company Producer: Tom Whitehead Sound Design: Ben Butler |
Best Idea in 20 Seconds Entrant: Channel 4 Client: More4 Product: On-air Promo Title: Ghosts Creative: Andy Booth @ Green Dog Creative Director: Ben Edwards Agency: 4Creative Director/Editor: Brian Harrington Production Company Producer: Louise Oliver Lighting Cameraman: Lynda Hall Film Art Director: Einstein’s Octopus Special Effects: Smoke & Mirrors Sound Design: Rich Martin |
|
| Best Idea in 20 Seconds Entrant: Publicis Client: Renault UK Product: Clio Rip Curl Title: Lingo Creatives: Gavin Kellett/Nik Studzinski Creative Director: Nik Studzinski Agency: Publicis Agency Producer: Nikki Doherty Production Company: Rattling Stick Director: Andy McLeod Editor: Andy @ Cut & Run Lighting Cameraman: Alwyn Kuchler Production Company Producer: Kirsty Burns Post Production: Big Buoy |
Best Idea in 20 Seconds Entrant: TBWA\London Client: Masterfoods Product: Skittles Title: Breathe/Orangatang Creatives: Erik Tell/Marie Voss/Stine Hole/Marie Ronn/Saskia Green/Miles Stubbs/Paul Kimball-Evans Creative Director: Frazer Jelleyman Executive Creative Director: Steve Henry Agency: TBWA\London Agency Producer: Tamara Kennon Production Company: Aardman Animation Director: The Brothers McLeod Production Company Producer: Jason Bartholemew |
|
| Best Idea in 30 Seconds – sponsored by Tele-An Entrant: Abbott Mead Vickers BBDO Client: UEFA Product: European Commission Title: Armchairs Creatives: Jason Fretwell/Colin Jones Creative Director: Paul Brazier Agency: Abbott Mead Vickers BBDO Agency Producer: Yvonne Clayton Production Company: Smith & Jones Director: Ulf Johansson Production Company Producer: Pippa Smith Cameraman: Denis Crossan |
Best Idea in 30 Seconds – sponsored by Tele-An Entrant: RKCR/Y&R Client: News International–Sunday Times Product: Style Magazine Title: Rip Creatives: Kimberley Hutcheson/Joe Fitzgerald Creative Directors: Mike Boles/Jerry Hollens Agency: RKCR/Y&R Agency Producer: Dannie Stewart Production Company: Outsider Director: Scott Lyon Editor: Tom Lindsey Lighting Cameraman: Ray Coates Production Company Producer: Zeno Campbell Salmon Music Composer: Schwab original track |
|
| Best Idea in 30 Seconds – sponsored by Tele-An Entrant: Fallon London Client: Unilever Product: Ben & Jerry’s Title: Heritage Creatives: Dan Watts/Rory McCaskill Executive Creative Director: Richard Flintham Agency: Fallon London Agency Producer: Matt Kitchin Production Company: B-Box Directors: Dan Watts/Rory McCaskill/ Matt Kitchin Editor: Matt Kitchin |
Best Idea in 30 Seconds – sponsored by Tele-An Entrant: MJZ London Client: Masterfoods-Mars Confectionery Product: Snickers Title: Tank Creatives: Mike Sutherland/Paul Pateman/Anthony Nelson Creative Director: Paul Brazier Agency: Abbott Mead Vickers: BBDO Agency Producer: Carol Powell Production Company: MJZ London Director: Tom Kuntz Editor: Steve Gandolfi Lighting Cameraman: Brian Newman Production Company Producer: Debbie Turner Executive Producer: Kate Leahy |
|
| Best Idea in 40 Seconds Entrant: CHI & Partners Client: Big Yellow Title: Tide Creative: Charles Inge Creative Director: Charles Inge Agency: CHI & Partners Producer: Erica Kaul Production Company: Blink Productions Director/Editor: Dougal Wilson Production Company Producer: Matthew Fone Post Production: Moving Picture Company |
Best Idea in 40 Seconds Entrant: DDB London Client: Marmite Product: Marmite Squeezy Title: Paddington Creatives: Mike Crowe/Rob Messeter Creative Director: Jeremy Craigen Agency: DDB London Agency Producer: Sarah Browell Production Company: Tandem Films Director: Daniel Greaves Lighting Cameraman: Simon Paul Production Company Producers: Lynn Hollowell/Jill Thomas |
|
| Best Idea in 60 Seconds or Over Entrant: Lowe London Client: John Lewis Product: John Lewis Department Store Title: Shadows Creatives: George Prest/Johnny Leathers/Ed Morris Creative Director: Ed Morris Agency Producer: Hannah Boase Production Company: Partizan Director: Michael Gracey Editor: Diesel Lighting Cameraman: Alex Melman Production Company Producer: Ella Sanderson Visual Effects Artist: Rich Betts Post Production: The Mill Post Production Producer: Gemma Smith |
Best Idea in 60 Seconds or Over Entrant: TBWA\London Client: Masterfoods Product: Starburst Title: Scarecrow Creative: Frazer Jelleyman Creative Director: Frazer Jelleyman Executive Creative Director: Steve Henry Agency: TBWA\London Agency Producers: Tracie Stokes/ Georgia Dickinson Production Company: Independent Films Director: Michael Parick Jann Editor: Sam @ Spade Lighting Cameraman: Steve Keith Roach Production Company Producers: Richard Packer/Verity White |
|
| Best Campaign or Series – sponsored by Rushes Entrant: Publicis Client: Renault UK Product: Clio Rip Curl Titles: Kids/Lingo/Homage/Tattoo Creatives: Gavin Kellett/Nik Studzinski Executive Creative Director: Nik Studzinski Agency: Publicis Agency Producer: Nikki Doherty Production Company: Rattling Stick Director: Andy McLeod Editor: Andy @ Cut & Run Lighting Cameraman: Luke Scott Production Company Producer: Kirsty Burns Post Production: Big Buoy |
Best Charity Commercial – sponsored by Thomas Thomas Films Entrant: Abbott Mead Vickers BBDO Client: Kidscape Product: Bullying Title: Grown Ups Creatives: Diane Leaver/Simon Rice Creative Director: Paul Brazier Agency: Abbott Mead Vickers BBDO Agency Producer: Yvonne Chalkley Production Company: Hungry Man Director: Paul Gay Production Company Producer: Tim Nunn |
|
| Best Programme Sponsorship/Idents Entrant: Abbott Mead Vickers BBDO Client: Masterfoods Product: Revels Titles: Cake/Swing/Hair/Football/ Candles/Panda & Panda/Reprise Creatives: Andy McAnaney/Christian Sewell Creative Director: Paul Brazier Agency: Abbott Mead Vickers BBDO Agency Producer: Yvonne Clayton Production Company: Hungry Man Director: Brendan Gibbons Production Company Producer: Martin Box Editor: Eve Ashwell Cameraman: John Sorapure |
Best Programme Sponsorship/Idents Entrant: RKCR/Y&R Client: Virgin Mobile Product: Virgin Mobile & Media Services Title: Big Brother Sponsorship Creatives: Nick Flugge/Tim McNaughton/Freddy Mandy Creative Director: Ben Priest Agency: RKCR/Y&R Agency Producer: Jennifer Taylor Editor: Joce Hockings @ Final Cut |
|
| Best Programme Sponsorship/Idents Entrant: Miles Calcraft Briginshaw Duffy Client: Waitrose Product: Waitrose Market Kitchen Title: Waitrose Market Kitchen Idents Creative: Jeremy Carr Creative Director: Ken Hoggins Agency: Miles Calcraft Briginshaw Duffy Agency Producers: James Stoker/ Lorraine Geoghegan Director: Joanna Bailey Production Company: The Paul Weiland Film Company Editor: Amanda James @ Final Cut Lighting Cameraman: Ben Smithard Production Company Producer: Trine Pillay |
||
| RADIO | |
|
| Best Radio Commercial Entrant: Grey London Client: Women’s Aid Product: Women’s Aid Title: Appearance Creatives: Helen Moriarty/Andrew Hampson Creative Directors: Geoff Smith/Simon Butler Agency: Grey London Agency Producer: Suki Drake Engineer: Stuart Welch @ Wave Sound Design: Wave |
||
| PRESS | |
|
| Best Press Advertisement Entrant: JWT London Client: Bayer Product: Berocca Title: Mouse Creatives: Mike McKenna/Greg Martin Executive Creative Director: Russell Ramsey Illustrator: Nishant Choksi |
Best Press Advertisement Entrant: Abbott Mead Vickers BBDO Client: The Economist Product: The Economist Title: Dissection Creatives: Mark Fairbanks/Paul Cohen Creative Director: Paul Brazier Typographer/Designer: Matthew Green |
|
| Best Press Advertisement Entrant: Lowe London Client: John Lewis Product: John Lewis Department Store Title: Shadows–Child Creatives: George Prest/Johnny Leathers/Ed Morris Creative Director: Ed Morris Typographer/Designer: Dave Towers @ Tag Photographer: Nadav Kander |
Best Press Advertisement Entrant: Abbott Mead Vickers BBDO Client: Museum of Childhood Product: Museum of Childhood Title: Tongue Creatives: Mike Nicholson/Paul Pateman Creative Director: Paul Brazier Typographer/Designer: Paul Pateman Illustrator: Paul Pateman |
|
| Best Press Advertisement Entrant: Leo Burnett Client: DFT Product: Think! Title: Mobile Creatives: Daniel Fisher/Richard Brim Creative Directors: Tony Malcolm/Guy Moore Executive Creative Director: Jon Burley Typographer/Designer: Paul Belford @ This is Real Art |
Best Press Campaign – sponsored by TAG Entrant: DDB London Client: Volkswagen Product: Thought Bites Titles: Pass On/Shaking/Rain Creatives: Mike Crowe/Matt Woolner/ Rob Messeter/Steve Wioland Creative Director: Jeremy Craigen Typographer/Designer: Pete Mould Illustration: Christian Montenegro |
|
| Best Press Campaign – sponsored by TAG Entrant: Lowe London Client: John Lewis Product: John Lewis Department Store Titles: Shadows–Man/Woman/Child Creatives: George Prest/Johnny Leathers/Ed Morris Creative Director: Ed Morris Typographer/Designer: Dave Towers @ Tag Photographer: Nadav Kander |
Best Magazine Campaign – sponsored by TAG Entrant: DHM Client: Howies Title: Denim Campaign Creatives: Dave Dye/Ollie Wolf Photographer: Laurie Haskell Typographer: Kieran Ward |
|
| Best Newspaper Advertisement Entrant: JWT London Client: Tommy’s Product: Tommy’s Title: David Creatives: Richard Baynham/Ian Gabaldoni Creative Director: Nick Bell Typographer/Designer: Chris Hutton Photographer: Nadav Kander |
Best Newspaper Advertisement Entrant: Abbott Mead Vickers BBDO Client: Museum of Childhood Product: Museum of Childhood Title: Tongue Creatives: Mike Nicholson/Paul Pateman Creative Director: Paul Brazier Typographer/Designer: Paul Pateman Illustrator: Paul Pateman |
|
| Best Newspaper Campaign Entrant: Leagas Delaney London Client: Stannah Stairlifts Product: Stannah Stairlifts Titles: Leaving Home/Home Sweet Home/Topic of Conversation Creatives: Rob Burleigh/Ben Stillitz/Colin Booth Creative Director: Rob Burleigh Agency: Leagas Delaney London Typographer/Designers: Rob Kester/Nic Griffiths @ Carbon Design Photographer: Kelvin Murray |
Best Newspaper Campaign Entrant: Leo Burnett Client: DFT Product: Think! Titles: Seat Belts/Mobile/Pedestrians Creatives: Daniel Fisher/Richard Brim Creative Directors: Tony Malcolm/Guy Moore Executive Creative Director: Jon Burley Typographer/Designer: Paul Belford @ This is Real Art |
|
| Best Charity Advertisement Entrant: JWT London Client: Tommy’s Product: Tommy’s Title: Samuel Creatives: Richard Baynham/Ian Gabaldoni Creative Director: Nick Bell Typographer/Designer: Chris Hutton Photographer: Nadav Kander |
Best Public Service Advertisement Entrant: Leo Burnett Client: DFT Product: Think! Title: Mobile Creatives: Daniel Fisher/Richard Brim Creative Directors: Tony Malcolm/Guy Moore Executive Creative Director: John Burley Typographer/Designer: Paul Belford @ This is Real Art |
|
| Best Public Service Advertisement Entrant: This is Real Art Client: Home Office Product: Mobile Theft Titles: R.I.P./Angel/Coffin/Finger Creatives: Diccon Driver/Alan Wilson Creative Directors: Steve Jones/Martin Lorraine Agency: RKCR/Y&R Typographer/Designer: Paul Belford @ This is Real Art Illustrator: Paul Belford |
Best Use of Small/Unusual Space Entrant: CHI & Partners Client: Toyota Product: Toyota Yaris Titles: Spa/Sales/FA Cup/Classified Ads Creatives: Wayne Robinson/Matt Collier Creative Director: Ewan Paterson |
|
| Best Direct Response Advertisement Entrant: Wunderman Client: Skcin–The Karen Clifford Skin Cancer Charity Product: Charity that promotes the risk of skin cancer in the UK Title: Full Stops Creatives: Iain Hunter/Jamie Bell Typographer/Designer: Simon Diss |
Best Direct Response Advertisement Entrant: Beattie McGuinness Bungay Client: Selfridges Product: Wonder Room Title: Wonder Room Shop Window Creatives: Pat Burns/Gavin McGrath Creative Director: Trevor Beattie Typographer/Designer: Steve Davies Illustration: Florence Manlik |
|
| Best Direct Response Advertisement Entrant: This is Real Art Client: The Samaritans Product: Volunteer Campaign Title: EQ Creatives: Ben Kay/Daryl Corps/Paul Belford Agency: Lunar BBDO/This is Real Art Typographer/Designer: Paul Belford Illustration: Chris Perry/Paul Belford |
Best Direct Response Advertisement Entrant: This is Real Art Client: Samaritans Product: Volunteer Campaign Title: Dots Creatives: Ben Kay/Daryl Corps/Paul Belford Agency: Lunar BBDO/This is Real Art Typographer/Designer: Paul Belford @ This is Real Art Illustration: Chris Perry/Paul Belford |
|
| Best Regional Press Advertisement Entrant: Grey London Client: Dairy Crest Product: Milk & More Title: 15mph Creatives: Jimmy Blom/Jonathan Marlow Creative Directors: Geoff Smith/Simon Butler Typographer/Designer: Nils Leonard Photographer: Graham Tobby Illustration: Erica Jacobson |
Best Regional Press Advertisement Entrant: Abbott Mead Vickers BBDO Client: Museum of Childhood Product: Museum of Childhood Title: Lunar Footprint Creatives: Mike Nicholson/ Paul Pateman Creative Director: Paul Brazier Typographer/Designer: Paul Pateman Illustrator: Paul Pateman |
|
| Best Regional Press Advertisement Entrant: Abbott Mead Vickers BBDO Client: Museum of Childhood Product: Museum of Childhood Title: Robot Creatives: Mike Nicholson/Paul Pateman Creative Director: Paul Brazier Typographer/Designer: Paul Pateman Illustrator: Paul Pateman |
Best Regional Press Advertisement Entrant: Abbott Mead Vickers BBDO Client: Museum of Childhood Product: Museum of Childhood Title: Tongue Creatives: Mike Nicholson/Paul Pateman Creative Director: Paul Brazier Typographer/Designer: Paul Pateman Illustrator: Paul Pateman |
|
| POSTER | |
|
| Best Poster Entrant: Lowe London Client: InBev Product: Peeterman Title: Art Deco Creatives: Patrick McClelland/Simon Morris/Carl Broadhurst/Peter Reid Creative Director: Ed Morris Typographer/Designer: Dave Towers @ Tag Photographer: Laurie Haskell |
Best Poster Entrant: Lowe London Client: InBev Product: Peeterman Title: Hand Lettering Creatives: Patrick McClelland/Simon Morris/Carl Broadhurst/Peter Reid Creative Director: Ed Morris Typographer/Designer: Dave Towers @ Tag Illustrator: Alison Carmichael |
|
| Best Poster Entrant: Saatchi & Saatchi Client: Anti Slavery Product: Anti Slavery Title: Plane Creatives: Howard Green/Pablo Videla Creative Director: Joel Bradley Executive Creative Director: Kate Stanners Typographer/Designer: Scott Silvey Retouchers: Firstbase Art Buyer: Rosa Apuzzo Production: Colin Richardson |
Best Poster Entrant: DDB London Client: Volkswagen Product: Touareg Title: Transporter Creatives: Matt Lee/Peter Heyes Creative Director: Jeremy Craigen Typographer/Designer: Pete Mould Photographer: David Harriman |
|
| Best Poster Entrant: Abbott Mead Vickers BBDO Client: The Economist Product: The Economist Title: Six Year Olds Creatives: Mark Fairbanks/Paul Cohen Creative Director: Paul Brazier Typographer/Designer: Paul Cohen |
Best Poster Entrant: McCann Erickson London Client: H J Heinz Product: Tomato Ketchup Title: Sliced Bottle Creatives: Robert Brown/Gary Marjoram Executive Creative Directors: Brian Fraser/Simon Learman Photographer: Kevin Summers Retoucher: John Martin |
|
| Best Portrait Poster Entrant: Lowe London Client: John Lewis Product: John Lewis Oxford Street Food Hall Title: Peas Creatives: Patrick McClelland/Simon Morris Creative Director: Ed Morris Typographer/Designer: Dave Towers @ Tag Photographer: Coppi Barbieri |
Best Portrait Poster Entrant: RKCR/Y&R Client: The Rex Cinema Product: Cinema Posters Title: Goldfinger Creatives: Adrian Lim/Steve Williams Illustrator: Steve Williams |
|
| Best Portrait Poster Entrant: Saatchi & Saatchi Client: Anti Slavery Product: Anti Slavery Title: Plane Creatives: Howard Green/Pablo Videla Creative Director: Joel Bradley Executive Creative Director: Kate Stanners Typographer/Designer: Scott Silvey Retouchers: Firstbase Art Buyer: Rosa Apuzzo Production: Colin Richardson |
Best Portrait Poster Entrant: Abbott Mead Vickers BBDO Client: The Economist Product: The Economist Title: Curiosity Creatives: Mark Fairbanks/Paul Cohen Creative Director: Paul Brazier Illustration: Non-Format |
|
| Best Portrait Poster Entrant: Abbott Mead Vickers BBDO Client: Global Action Plan Product: Global Action Plan Title: Fish Creatives: Milo Campbell/Sonny Adorjan Creative Director: Paul Brazier Typographer/Designer: Dingus Hussey |
Best Portrait Poster Entrant: McCanns Manchester Client: Tenth Planet Title: Dalek Creative: Clive Davis Retoucher: Lee Carter |
|
| Best Portrait Poster Entrant: Isobel Advertising Client: The Natural History Museum Product: Ice Station Antarctica Title: Boy 1 Creatives: David Alexander/Rob Fletcher Photographer: Paul Thompson |
Best Portrait Poster Entrant: Leo Burnett Client: DFT Product: Think! Title: Mobile Creatives: Daniel Fisher/Richard Brim Creative Directors: Tony Malcolm/Guy Moore Executive Creative Director: Jon Burley Typographer/Designer: Paul Belford @ This is Real Art |
|
| Best Landscape Poster Entrant: CHI & Partners Client: Roy Castle Foundation Product: Lung Cancer Titles: Homicide/Suicide Creatives: Nigel Roberts/Richard Foster Creative Directors: Ewan Paterson/Nigel Roberts Typographer/Designer: Dan Beckett Photographer: Paul Murphy |
Best Transport Poster Entrant: CHI & Partners Client: Roy Castle Foundation Product: Lung Cancer Title: Shotgun Creatives: Wayne Robinson/Matt Collier Creative Directors: Ewan Paterson/Nigel Roberts Typographer/Designer: Dan Beckett Photographer: Paul Murphy |
|
| Best Transport Poster Entrant: Abbott Mead Vickers BBDO Client: The Economist Product: The Economist Title: Cogs Creatives: Mark Fairbanks/Paul Cohen Creative Director: Paul Brazier Typographer/Designer: Neil Craddock |
||
| CRAFT PRINT | |
|
| Best Art Direction Entrant: Mark Denton Design/Dye Holloway Murray Client: The Creative Circle Product: Call for Entries 2008 Title: Call for Entries Creatives: Mark Denton/Dave Dye Creative Directors: Mark Denton/Dave Dye Typographer/Designers: Steve Bright/ Mark Denton/Dave Dye Illustrator: Steve Bright Image Manipulation: Oli Carver |
Best Art Direction Entrant: Lowe London Client: InBev Product: Peeterman Title: Hand Lettering Creatives: Patrick McClelland/Simon Morris/Carl Broadhurst/Peter Reid Creative Director: Ed Morris Typographer/Designer: Dave Towers @ Tag Illustrator: Alison Carmichael |
|
| Best Art Direction Entrant: RKCR/Y&R Client: Land Rover Title: Sea Wall Creatives: Adrian Lin/Steve Williams Creative Director: Mark Roalfe Photographer: Andy Green |
Best Art Direction Entrant: McCann Erickson London Client: H J Heinz Product: Salad Cream Title: Trees Creatives: Neil Clarke/Jay Philips Executive Creative Directors: Brian Fraser/Simon Learman Typographer/Designer: Gary Todd Illustrator: John Martin |
|
| Best Art Direction Entrant: Lowe London Client: InBev Product: Peeterman Title: Art Deco Creatives: Patrick McClelland/Simon Morris/Carl Broadhurst/Peter Reid Creative Director: Ed Morris Typographer/Designer: Dave Towers @ Tag Photographer: Laurie Haskell |
Best Art Direction Entrant: M&C Saatchi Client: ITV Product: The Queen Title: The Queen Creatives: Ian Brassett/Dave Anderson Creative Director: Graham Fink Typographer/Designers: Ian Brassett/Dave Anderson |
|
| Best Art Direction Entrant: Abbott Mead Vickers BBDO Client: The Economist Product: The Economist Title: The World Revolves Creatives: Mark Fairbanks/Paul Cohen Creative Director: Paul Brazier Typography/Design: Non-Format |
Best Art Direction Entrant: Abbott Mead Vickers BBDO Client: The Economist Product: The Economist Title: Curiosity Creatives: Mark Fairbanks/Paul Cohen Creative Director: Paul Brazier Typography/Design: Non-Format |
|
| Best Art Direction Entrant: This is Real Art Client: Samaritans Product: Volunteer Campaign Titles: Waves/Dots Creatives: Ben Kay/Daryl Corps/Paul Belford Creative Directors: Ben Kay/Daryl Corps Agency: Lunar BBDO/This is Real Art Typographer/Designer: Paul Belford @ This is Real Art Illustrators: Chris Perry/Paul Belford |
Best Art Direction Entrant: Abbott Mead Vickers BBDO Client: Samaritans Product: Samaritans Title: Falling Apart–Work Creatives: Mike Sutherland/Antony Nelson Creative Director: Paul Brazier |
|
| Best Use of Copy Entrant: Publicis Client: Cadbury Trebor Bassett Product: Wispa Title: From a Time When… Creatives: Alex Ball/Andy Johns Creative Director: Nik Studzinski Typographer/Designer: Simon Tomlin Art Buyer: Alison Grant |
Best Photography Entrant: Abbott Mead Vickers BBDO Client: Focus 12 Product: Drug Rehabilitation Title: Crack Creatives: Bern Hunter/Mike Bond Creative Director: Paul Brazier Photographer: Spike Watson |
|
| Best Photography Entrant: Abbott Mead Vickers BBDO Client: Focus 12 Product: Drug Rehabilitation Title: Cocaine Creatives: Bern Hunter/Mike Bond Creative Director: Paul Brazier Photographer: Spike Watson |
Best Photography Entrant: Isobel Advertising Client: The Natural History Museum Product: Ice Station Antarctica Title: Girl Creatives: David Alexander/Rob Fletcher Photographer: Paul Thompson |
|
| Best Photography Entrant: Isobel Advertising Client: The Natural History Museum Product: Ice Station Antarctica Title: Boy 2 Creatives: David Alexander/Rob Fletcher Photographer: Paul Thompson |
Best Image Manipulation Entrant: McCann Erickson London Client: H J Heinz Product: Tomato Ketchup Title: Sliced Bottle Creatives: Robert Brown/Gary Marjoram Executive Creative Director: Brian Fraser/Simon Learman Photographer: Kevin Summers Retoucher: John Martin |
|
| Best Image Manipulation Entrant: Abbott Mead Vickers BBDO Client: TV Licensing Product: TV Licensing Title: Flats Creatives: Barney Ashton/Matt Ryan Creative Director: Paul Brazier Typographer: Aaron Moss CGI: Mark Grosvenor @ Smoke & Mirrors |
Best Image Manipulation Entrant: Abbott Mead Vickers BBDO Client: TV Licensing Product: TV Licensing Title: Terrace Creatives: Barney Ashton/Matt Ryan Creative Director: Paul Brazier Typographer: Aaron Moss CGI: Mark Grosvenor @ Smoke & Mirrors |
|
| Best Image Manipulation Entrant: 4Creative Client: More4 Product: Ghosts Title: Ghosts Creatives: Jim Seath/Andy Booth Creative Director: Brett Foraker Typographer/Designer: Kevin Price Photographers: Alex Howe/George Kavanagh Producers: Keeley Pratt/Caroline Hicks Image Manipulation: TAG Creative Production Company: 4Creative |
Best Illustration Entrant: Mark Denton Design Client: Therapy Films Product: Therapy/Viral Therapy Title: Therapy/Viral Therapy Creative: Mark Denton Creative Director: Mark Denton Typographer/Designers: Andy Dymock/Mark Denton Illustrator: CF Payne Image Manipulation: Oli Carver |
|
| Best Typography – sponsored by Dymock Entrant: Abbott Mead Vickers BBDO Client: The Economist Product: The Economist Title: The World Revolves Creatives: Mark Fairbanks/Paul Cohen Creative Director: Paul Brazier Typographer/Designer: Non-format |
Best Typography – sponsored by Dymock Entrant: Lowe London Client: InBev Product: Artois Title: Three Famous Belgians Creatives: Simon Morris/Carl Broadhurst/Peter Reid Creative Director: Ed Morris Typographer/Designer: Dave Towers @ Tag Illustrator: Paul Catherall |
|
| CRAFT TV | |
|
| Best Special Effects or Computer Graphics – sponsored by Nice Biscuits Entrant: Partizan Client: Audi Product: Audi Title: Construction Creatives: Andy Clough/Richard McGrann Agency: BBH Agency Producer: Jane Bessie Production Company: Partizan Director: Olivier Gondry Editor: Jonno Griffith Lighting Cameraman: Alex Barber Sound Design: Aaron Reynolds Special Effects: The Mill |
Best Special Effects or Computer Graphics – sponsored by Nice Biscuits Entrant: Channel 4 Client: More4 Product: On air Promo Title: Sex Change Hospital Creatives: Ben Edwards/Kjetil Njoten Creative Director: Ben Edwards Director: Kjetil Njoten Editor: Mark Richards Cinematographer: Ian Murray Producer: Louise Oliver Sound Design: Rich Martin Special Effects: John Lockwoode @ Machine FX Film Art Director: Adam Zoltowski |
|
| Best Special Effects or Computer Graphics – sponsored by Nice Biscuits Entrant: Glassworks Client: Bank of Ireland Product: Bank of Ireland Titles: Elf/Bogeyman/Dragon Creative: Kirk Bannon @ Irish International BBDO Production Company: Company Films Director: Rory Kelleher Producer: Nick Fewtrell Special Effects: Glassworks Flame Artists: Duncan Malcolm/ Duncan Horn/Warren Gebhardt/Lise Prud’Homme/Stuart Wilson 3D Artists: Alistair Hearsum/Ruediger Kaltenhauser/Vaclav Cizkovsky/Daniel Jahnel/Jon Park/Marco Kowalik/Will Davies/James Mann/Jaroslav Polensky Post Producer: Tim Phillips |
Best Editing Entrant: JWT London Client: Shell Product: Shell V Power Title: Circuit Creatives: Matt Collier/Wayne Robinson/Jaspar Shelbourne Creative Director: Jaspar Shelbourne Agency: JWT London Agency Producer: David Stewart Production Company: Partizan Director: Antoine Barou-Jacquet Editor: Bill Smedley Lighting Cameraman: Damian Morrisot Production Company Producer: David Stewart Sound Design: Owen @ Jungle |
|
| Best Cinematography Entrant: MJZ London Client: Nokia Corporation Product: N95 Title: The Riddle Creatives: Oliver Green/Greg Milbourne Executive Creative Director: Ed Morris Creative Director: Oliver Green/Greg Milbourne Agency: Lowe London Agency Producer: Selina Dey Production Company: MJZ London Director: Rupert Sanders Editor: Hank Conwin Art Director: Greg Milbourne Copywriter: Oliver Green Cinematographer: Chris Soos Production Company Producer: Kate Leahy Executive Producer: Debbie Turner Post Production: The Mill Film Editing Company: Lost Planet, LA Sound Design: Aaron Reynolds @ Wave |
Best Cinematography Entrant: Gorgeous Enterprises Client: Sony Product: Sony Bravia Title: Play-doh Creative: Juan Cabral Creative Director: Juan Cabral Executive Creative Director: Richard Flintham Agency: Fallon London Agency Producer: Nicky Barnes Production Company: Gorgeous Enterprises Director: Frank Budgen Editor: Ted Guard @ The Quarry Lighting Cameraman: Frank Budgen Production Company Producer: Rupert Smythe Sound Design: Parv Thind @ Wave Post Production Company: MPC |
|
| Best Direction – sponsored by Cut & Run Entrant: Gorgeous Enterprises Client: Sony Product: Sony Bravia Title: Play-doh Creative: Juan Cabral Creative Director: Juan Cabral Executive Creative Director: Richard Flintham Agency: Fallon London Agency Producer: Nicky Barnes Production Company: Gorgeous Enterprises Director: Frank Budgen Editor: Ted Guard @ The Quarry Lighting Cameraman: Frank Budgen Production Company Producer: Rupert Smythe Sound Design: Parv Thind @ Wave Post Production Company: MPC |
Best Direction – sponsored by Cut & Run Entrant: Partizan Client: Boots Product: Boots Christmas Title: Here Come the Girls Creative: Peter Robertson Creative Director: Damon Collins Agency: Mother Agency Producer: Angela Eleini Production Company: Partizan Director: Traktor Editor: Rick Russell @ Final Cut Production Company Producer: James Tomkinson |
|
| Best Direction – sponsored by Cut & Run Entrant: Sonny London Client: Edge Product: Edge Title: Wrong Direction Creatives: Richard Stoney/Dave Hobbs Creative Directors: Paul Briginshaw/Brian Duffy Agency: Miles Calcraft Briginshaw Duffy Agency Producer: Russell Taylor Production Company: Sonny London Director: Fredrik Bond Editor: Tim Thorton-Allen @ Marshall Street Editors Lighting Cameraman: Tim Maurice Jones Film Art Director: Claudia Parker Production Company Producer: Helen Kenny Line Producer: Ran Holst Music: King of The Road published by Warner Chappell Music Composer: Roger Miller Post Production: The Mill |
Best Direction – sponsored by Cut & Run Entrant: Abbott Mead Vickers BBDO Client: Diageo Product: Draught Guinness Title: Tipping Point Creatives: Angus McAdam/Paul Gordon Creative Director: Paul Brazier Agency: Abbott Mead Vickers BBDO Agency Producer: Carol Powell Production Company: MJZ Director: Nicolai Fugslig Production Company Producer: Suza Horvat Lighting Cameraman: Ellen Kuras Editor: Ric Russell Production Design: Floyd Ablee Sound Design: Parv Thind @ Wave & Videosonics |
|
| Best Dialogue Entrant: Lowe London Client: Nokia Corporation Product: N95 Title: The Riddle Creatives: Oliver Green/Greg Milbourne Executive Creative Director: Ed Morris Creative Directosr: Oliver Green/Greg Milbourne Agency: Lowe London Agency Producer: Selina Dey Production Company: MJZ London Director: Rupert Sanders Editor: Hank Conwin Art Director: Greg Milbourne Copywriter: Oliver Green Cinematographer: Chris Soos Production Company Producer: Kate Leahy Executive Producer: Debbie Turner Post Production: The Mill Film Editing Company: Lost Planet, LA Sound Design: Aaron Reynolds @ Wave |
Best Dialogue Entrant: HLA Client: DFT Product: Anti Drink Drive Title: Moment of Doubt Creatives: Tony Malcolm/Guy Moore/Daniel Fisher/Richard Brim Creative Directors: Tony Malcolm/Guy Moore Executive Creative Director: Jim Thornton Agency: Leo Burnett London Agency Producer: Emmalou Johnson Director: John Hardwick Editor: Owen Oppenheimer @ Peepshow Film Art Director: Ashling Johnson Cinematographer: Nanu Segal Production Company Producers: Laura Kanerick/Mike Wells Sound Design: Parv Thind @ Wave |
|
| Best Production Design – sponsored by Artem Entrant: Lowe London Client: InBev Product: Artois Title: Pass on Something Good Creatives: Tom Hudson/Lee Goulding Creative Director: Ed Morris Agency Producer: Jane Rattle Production Company: Academy Films Director: Nick Gordon Editor: Ric Russell Lighting Cameraman: Alwyn Kuchler Production Company Producer: Sally Campbell Sound Design: Grand Central Post Production: MPC Editor: Final Cut |
Best Production Design – sponsored by Artem Entrant: Abbott Mead Vickers BBDO Client: Motorola Product: ESPOO Title: The Journey Creatives: Mike Sutherland/Antony Nelson Creative Director: Paul Brazier Agency: Abbott Mead Vickers BBDO Agency Producer: Anita Sasdy Production Company: MJZ Director: Nicolai Fugslig Production Company Producer: Susa Horvat Editor: Paul Watt Lighting Camerman: Benoire Del Homme |
|
| Best Production Design – sponsored by Artem Entrant: Beattie McGuinness Bungay Client: Coors Brewers Product: Carling Title: Out Writer: Pat Burns Art Director: Gavin McGrath Creative Directors: Trevor Beattie/Bil Bungay Agency: Beattie McGuinness Bungay Agency Producer: Jane Oak Production Company: Sonny London Director: Fredrik Bond Editors: Tim Thornton Allen/Patrick Ryan Lighting Cameraman: Daniel Jesse Hall Production Company Producers: Helen Kenny/Alicia Richards Sound Design: Andy Humphreys @ 750mph Production Facility Company: The Sofa, Czech Republic Sofa Producer: Fady Salameh Production Art Director: Ondrej Nekvasil Post Production Producer: Scott Griffin @ MPC CG Supervisor: Duncan McWilliam 2D Supervisor: Bill McNamara |
Best Sound Design – sponsored by Hear No Evil Entrant: Wave Client: Sony Product: Bravia Title: Play-doh Creative: Juan Cabral Creative Director: Juan Cabral Executive Creative Director: Richard Flintham Agency: Fallon London Agency Producer: Nicky Barnes Production Company: Gorgeous Enterprises Director: Frank Budgen Editor: Ted Guard @ The Quarry Cinematographer: Frank Budgen Production Company Producer: Rupert Smythe Sound Design: Parv Thind Animation Director: Darren Walsh @ Passion Pictures |
|
| Best Use of Music – sponsored by Wave Entrant: Soundtree Music Client: Sony Product: Walkman Title: Music Pieces Creative: Juan Cabral Creative Director: Juan Cabral Executive Creative Director: Richard Flintham Agency: Fallon London Producer: Jo Charlesworth Production Company: Academy Films Director: Nick Gordon Production Company Producer: Lucy Gossage |
Best Use of Music – sponsored by Wave Entrant: DDB London Client: Volkswagen Product: Golf Title: Great Pretender Creatives: Sam Oliver/Shishir Patel Agency: DDB London Production Company: Partizan Director: Patrik Bergh |
|
| Best Use of Music – sponsored by Wave Entrants: Wave/Partizan Client: Audi Product: Audi Title: Construction Creatives: Andy Clough/Richard McGrann Agency: BBH Agency Producer: Jane Bessie Production Company: Partizan Director: Olivier Gondry Editor: Jonno Griffith Lighting Cameraman: Alex Barber Sound Design: Aaron Reynolds |
Best Use of Music – sponsored by Wave Entrants: McCann Erickson London Client: H J Heinz Product: Salad Cream Title: Ladybugs Picnic Creatives: Neil Clarke/Jay Phillips Creative Directors: Brian Fraser/Simon Learman Agency Producer: Petrina Kilby Production Company: Gorgeous Enterprises Director: Vince Squibb Editor: Paul Watts @ The Quarry Lighting Cameraman: Bruno Delbonnel Production Company Producer: Spencer Dodd |
|
| Best Use of Music – sponsored by Wave Entrant: WCRS Client: Sara Lee Product: Brylcreem Title: Effortless Writer: Tori Flower Art Director: Oli Beale Creative Directors: Yan Elliott/Luke Williamson Agency: WCRS Agency Producer: Lesley Williams Production Company: Sonny London Director: Fredrik Bond Editor: Patrick Ryan Lighting Cameraman: Ben Seresin Production Company Producers: Ran Holst/Helen Kenny Sound Design: Wave |
Best Use of Animation – sponsored by A Large Evil Corporation Entrant: Abbott Mead Vickers BBDO Client: Diageo Product: Draught Guinness Title: Rugby Creatives: Bern Hunter/Mike Bond Creative Director: Paul Brazier Agency: Abbott Mead Vickers BBDO Agency Producer: Carol Powell Production Company: Studio AKA Animator: Marc Craste @ Studio AKA Director: Marc Craste Production Company Producer: Sharon Titmarsh |
|
| DIGITAL | |
|
| Best Rich Media Entrant: Grand Union Client: Department of Health Product: Condom Essential Wear Title: Sexual Health Summer Campaign Agency: Grand Union Creatives: Stuart Hallybone/James Woods Creative Director: Giles Montgomery Flash Designer: Gavin Fox Action Scriptor: Rob Walker Producer: Liam Eldret |
Best Rich Media Entrant: Tribal DDB London Client: Volkswagen Product: Passat Title: Mid-life Crisis Retreat Creatives: Ben Clapp/Algy Sharman/Al Brown Creative Director: Ben Clapp Agency: Tribal DDB London Flash Designer: Nicole Schloeter Producer: Tim Ball Designer: Paul Robinson |
|
| Best Microsite Entrant: Agency Republic Client: Mercedes-Benz Product: C-Class Title: Serene Agility Creatives: Alistair Campbell/Richard Hale Creative Director: Gavin Gordon-Rogers Agency: Agency Republic Flash Designers: Rachel Hunt/Mark Walters Action Scripters: Robin Wong/George Penney/Dave Cox Producer: Anna Persson Sound Design: Jay Gelardi Production Company: Agency Republic |
Best Microsite Entrant: Pike Title: Good Things Should Never End Creative Director: Nicholas Roope Design & Art Direction: Nicky Gibson/Julie Barnes Illustrator: Rex Crowle Sound Design: Nick Ryan Flash Programmer: Derek McKenna Programmer: Marius Watz Project Director: Alex Light |
|
| Best Social Networking Entrant: Tribal DDB London Client: Schwarzkopf Product: XXL Live Color Title: Studbook Creatives: Donatta Tortella/Sarah King/ Simon Richings Creative Director: Ben Clapp Agency: Tribal DDB London Producer: David Hayes Production Company: Hyperlaunch Media: Blake Cuthbert/Matt Redman |
||
| ALL OTHER MEDIA | |
|
| Best Direct Mail Entrant: 4Creative Client: Channel 4 Strategic Sales Product: Wedding Belles Title: Wedding Belles Confetti Creative: Alice Tonge Creative Director: Brett Foraker Typographer/Designer: Kevin Price Production Company: 4 Creative Producer: Nick Reeves |
Best Direct Mail Entrant: Lunar BBDO Client: Lunar BBDO Product: Lunar BBDO Title: Crossword Creatives: Ben Kay/Daryl Corps Creative Directors: Ben Kay/Daryl Corps Typographer/Designer: Rob Blackledge |
|
| Best Multimedia Campaign Entrant: Grey London Client: Goldfish Title: Me and My Goldfish Agency: Grey London Creatives: Jimmy Blom/Jonathan Marlow Creative Directors: Geoff Smith/Simon Butler Typographer/Designer: Mark Cakebread |
Best Multimedia Campaign Entrant: DDB London Client: Volkswagen Product: Golf Title: Night Drive Agency: DDB London Creatives: Sishir Patel/Sam Oliver Creative Director: Jeremy Craigen Production Company: Independent Films Director: Noam Murro Producer: Lucinda Ker Production Company: Independent Director: Noam Murro Editor: Tim Thornton-Allen Lighting Camerman: Paul Cameron Production Company Producers: Jay Veal/Richard Packer |
|
| Best Multimedia Campaign Entrant: DDB London Client: Volkswagen Product: Independent Cinema Title: See Films Differently Agency: DDB London Creatives: Graeme Hall/Gavin Siakimotu Creative Director: Jeremy Craigen Typographer/Designer: Pete Mould/Graeme Hall Production Company: Rattling Stick Director: Andy McLeod Editor: Richard Orrick Producer: Sarah Browell |
Best Multimedia Campaign Entrants: Publicis/Publicis Dialog/Publicis Modem Client: C.O.I.–The Army Product: Army Recruitment Title: One Army Recruiting Creatives: Robin Garton/Matt Anderson/Steve Nicous/Alastair Ross Creative Director: Nik Studzinski Production Companies: Pink/RSA Directors: Michael Geoghegan/ James Bryce/Robin Garton Editors: Leo King/Piers Douglas/Leo Scott @ Cut & Run Producer: Kim Knowlton @ C.O.I. Sound Design: Andy Humphries @ 750 mph Production Company Producers: Karen Cunningham/Caspar Delaney/Kim Knowlton Interactive Creative Director: Robin Garms Web Designer: Federico Selmi Web Writer: Sam Harris Flash Lead: Douglas MacKenzie Flash Developer: Sherid Van Rooyen |
|
| Best Use of Media/Ambient Entrant: Miles Calcraft Briginshaw Duffy Client: The Metropolitan Police Product: Anti Gun Crime–Trident Title: Prison Cell Creatives: Nick Bird/Lee Smith Creative Directors: Paul Briginshaw/Malcolm Duffy Agency: Miles Calcraft Briginshaw Duffy Typographer/Designer: Matt Goodfellow |
Best Use of Media/Ambient Entrant: JWT London Client: Nestle Product: Kit Kat Title: Golf Balls Creatives: Richard Baynham/Ian Gabaldoni Creative Director: Nick Bell Typographer/Designer: Tivy Davies Photographer: Richard Lloyd |
|